Press Combined Components

Feature

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

Mark Swed
,
Los Angeles Times
Feature

Finnish conductor established 'French connection'

Richard Anderson
,
Jackson Hole News & Guide
Acclaim

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
Bernard Hughes
,
The Arts Desk
Acclaim

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
Philippa Kiraly
,
Bachtrack
Feature

Review: An Audition Season Begins at the Philharmonic

Joshua Barone
,
NY Times
Acclaim

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Seth Colter Walls
,
The New York Times
Acclaim

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
Susan Elliott
,
Musical America
Feature

Review: At the Philharmonic, Contemporary Is King for a Week

Seth Colter Walls
,
The New York Times
Acclaim

Stasevska led what might have been the finest performance this piece has ever had.

Stasevska led what might have been the finest performance this piece has ever had.
George Grella
,
New York Classical Review
Acclaim

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Ivan Hewett
,
The Telegraph
Acclaim

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
Erica Jeal
,
The Guardian
Feature

Dalia Stasevksa on conducting the First and Last Nights of the Proms

Richard Morrison
,
Classical Music
Feature

Conductor Dalia Stasevska: Music That Changed Me

Amanda Holloway
,
Classical-Music
Acclaim

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
Ateş Orga
,
Classical Source
Acclaim

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
Feature

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Imogen Tilden
,
The Guardian
Acclaim

She’s a real find, making her UK debut with an orchestra clearly having a ball.

She’s a real find, making her UK debut with an orchestra clearly having a ball.
PRESS1
cOMPONENT divider
Feature
August 10, 2022

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

Mark Swed
,
Los Angeles Times
Feature
August 3, 2022

Finnish conductor established 'French connection'

Richard Anderson
,
Jackson Hole News & Guide
Acclaim
July 21, 2022

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.

Bernard Hughes
,
The Arts Desk
Acclaim
March 5, 2022

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.

Philippa Kiraly
,
Bachtrack
Feature
February 13, 2022

Review: An Audition Season Begins at the Philharmonic

Joshua Barone
,
NY Times
Acclaim
November 12, 2021

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."

Seth Colter Walls
,
The New York Times
Acclaim
October 26, 2021

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.

Susan Elliott
,
Musical America
Feature
October 21, 2021

Review: At the Philharmonic, Contemporary Is King for a Week

Seth Colter Walls
,
The New York Times
Acclaim
October 21, 2021

Stasevska led what might have been the finest performance this piece has ever had.

Stasevska led what might have been the finest performance this piece has ever had.

George Grella
,
New York Classical Review
Acclaim
July 30, 2021

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.

Ivan Hewett
,
The Telegraph
Acclaim
July 30, 2021

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.

Erica Jeal
,
The Guardian
Feature
July 21, 2021

Dalia Stasevksa on conducting the First and Last Nights of the Proms

Richard Morrison
,
Classical Music
Feature
May 5, 2021

Conductor Dalia Stasevska: Music That Changed Me

Amanda Holloway
,
Classical-Music
Acclaim
August 6, 2019

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.

Ateş Orga
,
Classical Source
Acclaim
July 19, 2019

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.

,
The Telegraph UK
Feature
January 25, 2019

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Imogen Tilden
,
The Guardian
Acclaim
April 1, 2018

She’s a real find, making her UK debut with an orchestra clearly having a ball.

She’s a real find, making her UK debut with an orchestra clearly having a ball.

,
Arts Desk
PRESS2
cOMPONENT divider
Feature
August 10, 2022

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.

Mark Swed
,
Los Angeles Times
Feature
August 3, 2022

Finnish conductor established 'French connection'

Richard Anderson
,
Jackson Hole News & Guide
Acclaim
July 21, 2022

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
Bernard Hughes
,
The Arts Desk
Acclaim
March 5, 2022

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
Philippa Kiraly
,
Bachtrack
Feature
February 13, 2022

Review: An Audition Season Begins at the Philharmonic

Joshua Barone
,
NY Times
Acclaim
November 12, 2021

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Seth Colter Walls
,
The New York Times
Acclaim
October 26, 2021

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
Susan Elliott
,
Musical America
Feature
October 21, 2021

Review: At the Philharmonic, Contemporary Is King for a Week

Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.

Seth Colter Walls
,
The New York Times
Acclaim
October 21, 2021

Stasevska led what might have been the finest performance this piece has ever had.
George Grella
,
New York Classical Review
Acclaim
July 30, 2021

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Ivan Hewett
,
The Telegraph
Acclaim
July 30, 2021

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
Erica Jeal
,
The Guardian
Feature
July 21, 2021

Dalia Stasevksa on conducting the First and Last Nights of the Proms

And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.

Richard Morrison
,
Classical Music
Feature
May 5, 2021

Conductor Dalia Stasevska: Music That Changed Me

Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra

Amanda Holloway
,
Classical-Music
Acclaim
August 6, 2019

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
Ateş Orga
,
Classical Source
Acclaim
July 19, 2019

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
Feature
January 25, 2019

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.

Imogen Tilden
,
The Guardian
Acclaim
April 1, 2018

She’s a real find, making her UK debut with an orchestra clearly having a ball.
PRESS3
cOMPONENT divider
PRESS4
cOMPONENT divider
Feature
August 10, 2022

Los Angeles Times

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.

Mark Swed
Read More
Feature
August 3, 2022

Jackson Hole News & Guide

Finnish conductor established 'French connection'

Richard Anderson
Read More
Acclaim
July 21, 2022

The Arts Desk

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
Bernard Hughes
Read More
Acclaim
March 5, 2022

Bachtrack

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
Philippa Kiraly
Read More
Feature
February 13, 2022

NY Times

Review: An Audition Season Begins at the Philharmonic

Joshua Barone
Read More
Acclaim
November 12, 2021

The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Seth Colter Walls
Read More
Acclaim
October 26, 2021

Musical America

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
Susan Elliott
Read More
Feature
October 21, 2021

The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.

Seth Colter Walls
Read More
Acclaim
October 21, 2021

New York Classical Review

Stasevska led what might have been the finest performance this piece has ever had.
George Grella
Read More
Acclaim
July 30, 2021

The Telegraph

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Ivan Hewett
Read More
Acclaim
July 30, 2021

The Guardian

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
Erica Jeal
Read More
Feature
July 21, 2021

Classical Music

Dalia Stasevksa on conducting the First and Last Nights of the Proms

And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.

Richard Morrison
Read More
Feature
May 5, 2021

Classical-Music

Conductor Dalia Stasevska: Music That Changed Me

Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra

Amanda Holloway
Read More
Acclaim
August 6, 2019

Classical Source

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
Ateş Orga
Read More
Acclaim
July 19, 2019

The Telegraph UK

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
Read More
Feature
January 25, 2019

The Guardian

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.

Imogen Tilden
Read More
Acclaim
April 1, 2018

Arts Desk

She’s a real find, making her UK debut with an orchestra clearly having a ball.
Read More
PRESS5
cOMPONENT divider
Feature
August 10, 2022

Los Angeles Times

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about
As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.
Read More
Feature
August 3, 2022

Jackson Hole News & Guide

Finnish conductor established 'French connection'
Read More
Acclaim
July 21, 2022

The Arts Desk

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
Read More
Acclaim
March 5, 2022

Bachtrack

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
Read More
Feature
February 13, 2022

NY Times

Review: An Audition Season Begins at the Philharmonic
Read More
Acclaim
November 12, 2021

The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week
"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Read More
Acclaim
October 26, 2021

Musical America

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
Read More
Feature
October 21, 2021

The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week
Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.
Read More
Acclaim
October 21, 2021

New York Classical Review

Stasevska led what might have been the finest performance this piece has ever had.
Read More
Acclaim
July 30, 2021

The Telegraph

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Read More
Acclaim
July 30, 2021

The Guardian

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
Read More
Feature
July 21, 2021

Classical Music

Dalia Stasevksa on conducting the First and Last Nights of the Proms
And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.
Read More
Feature
May 5, 2021

Classical-Music

Conductor Dalia Stasevska: Music That Changed Me
Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra
Read More
Acclaim
August 6, 2019

Classical Source

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
Read More
Acclaim
July 19, 2019

The Telegraph UK

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
Read More
Feature
January 25, 2019

The Guardian

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor
Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.
Read More
Acclaim
April 1, 2018

Arts Desk

She’s a real find, making her UK debut with an orchestra clearly having a ball.
Read More
PRESS6
cOMPONENT divider
Feature
August 10, 2022

Los Angeles Times

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.

Read More
Read More
Read More
Feature
August 3, 2022

Jackson Hole News & Guide

Finnish conductor established 'French connection'

Read More
Read More
Read More
Acclaim
July 21, 2022

The Arts Desk

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
Read More
Read More
Read More
Acclaim
March 5, 2022

Bachtrack

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
Read More
Read More
Read More
Feature
February 13, 2022

NY Times

Review: An Audition Season Begins at the Philharmonic

Read More
Read More
Read More
Acclaim
November 12, 2021

The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Read More
Read More
Read More
Acclaim
October 26, 2021

Musical America

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
Read More
Read More
Read More
Feature
October 21, 2021

The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.

Read More
Read More
Read More
Acclaim
October 21, 2021

New York Classical Review

Stasevska led what might have been the finest performance this piece has ever had.
Read More
Read More
Read More
Acclaim
July 30, 2021

The Telegraph

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Read More
Read More
Read More
Acclaim
July 30, 2021

The Guardian

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
Read More
Read More
Read More
Feature
July 21, 2021

Classical Music

Dalia Stasevksa on conducting the First and Last Nights of the Proms

And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.

Read More
Read More
Read More
Feature
May 5, 2021

Classical-Music

Conductor Dalia Stasevska: Music That Changed Me

Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra

Read More
Read More
Read More
Acclaim
August 6, 2019

Classical Source

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
Read More
Read More
Read More
Acclaim
July 19, 2019

The Telegraph UK

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
Read More
Read More
Read More
Feature
January 25, 2019

The Guardian

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.

Read More
Read More
Read More
Acclaim
April 1, 2018

Arts Desk

She’s a real find, making her UK debut with an orchestra clearly having a ball.
Read More
Read More
Read More
PRESS7
cOMPONENT divider
August 10, 2022
Feature
Los Angeles Times
|
Mark Swed

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.

Read More
Read More
Read More
August 3, 2022
Feature
Jackson Hole News & Guide
|
Richard Anderson

Finnish conductor established 'French connection'

Read More
Read More
Read More
July 21, 2022
Acclaim
The Arts Desk
|
Bernard Hughes

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
Read More
Read More
Read More
March 5, 2022
Acclaim
Bachtrack
|
Philippa Kiraly

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
Read More
Read More
Read More
February 13, 2022
Feature
NY Times
|
Joshua Barone

Review: An Audition Season Begins at the Philharmonic

Read More
Read More
Read More
November 12, 2021
Acclaim
The New York Times
|
Seth Colter Walls

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
Read More
Read More
Read More
October 26, 2021
Acclaim
Musical America
|
Susan Elliott

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
Read More
Read More
Read More
October 21, 2021
Feature
The New York Times
|
Seth Colter Walls

Review: At the Philharmonic, Contemporary Is King for a Week

Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.

Read More
Read More
Read More
October 21, 2021
Acclaim
New York Classical Review
|
George Grella

Stasevska led what might have been the finest performance this piece has ever had.
Read More
Read More
Read More
July 30, 2021
Acclaim
The Telegraph
|
Ivan Hewett

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
Read More
Read More
Read More
July 30, 2021
Acclaim
The Guardian
|
Erica Jeal

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
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July 21, 2021
Feature
Classical Music
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Richard Morrison

Dalia Stasevksa on conducting the First and Last Nights of the Proms

And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.

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May 5, 2021
Feature
Classical-Music
|
Amanda Holloway

Conductor Dalia Stasevska: Music That Changed Me

Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra

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August 6, 2019
Acclaim
Classical Source
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Ateş Orga

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
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July 19, 2019
Acclaim
The Telegraph UK
|

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
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January 25, 2019
Feature
The Guardian
|
Imogen Tilden

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.

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April 1, 2018
Acclaim
Arts Desk
|

She’s a real find, making her UK debut with an orchestra clearly having a ball.
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August 10, 2022
Los Angeles Times

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.

August 10, 2022
Los Angeles Times

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

As principal guest conductor of the BBC Symphony Orchestra, Stasevska has already passed a trial by fire: She conducted the orchestra in the Last Night at the Proms in September 2020. A difficult enough assignment at any time, this raucous populist London tradition always ends with “Rule, Britannia!” and “Land of Hope and Glory” sung by a large chorus and 5,000 spectators.

August 3, 2022
Jackson Hole News & Guide

Finnish conductor established 'French connection'

August 3, 2022
Jackson Hole News & Guide

Finnish conductor established 'French connection'

July 21, 2022
The Arts Desk

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
July 21, 2022
The Arts Desk

She was thrilling to watch and ignited the orchestra with sheer force of personality, making for a very exciting performance.
March 5, 2022
Bachtrack

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
March 5, 2022
Bachtrack

This is a conductor who can elicit the finest nuances with her precise directing, the softest moments often preceding great sweeps of her arms as she gathers in all the musicians while equally precisely bringing out one or another group.
February 13, 2022
NY Times

Review: An Audition Season Begins at the Philharmonic

February 13, 2022
NY Times

Review: An Audition Season Begins at the Philharmonic

November 12, 2021
The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
November 12, 2021
The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

"Their works landed with persuasive panache [...] aided by powerful but never overly brash conducting by Dalia Stasevska."
October 26, 2021
Musical America

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
October 26, 2021
Musical America

Stasevska is an important talent. Throughout the program, her time-keeping was rock solid, her cues impeccable, her musical understanding and commitment to these pieces unwavering.
October 21, 2021
The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.

October 21, 2021
The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

Their works landed with persuasive panache on Wednesday, aided by powerful but never overly brash conducting by Dalia Stasevska, also making her Philharmonic debut.

October 21, 2021
New York Classical Review

Stasevska led what might have been the finest performance this piece has ever had.
October 21, 2021
New York Classical Review

Stasevska led what might have been the finest performance this piece has ever had.
July 30, 2021
The Telegraph

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
July 30, 2021
The Telegraph

The best was saved until last. Dalia Stasevska, the young Finnish conductor on the podium, had until this point been content to guide things with skilful modesty. Now suddenly she came alive, shaping a performance of Sibelius’s Second Symphony that had me absolutely on the edge of my seat. The sheer urgency of the music, the way it has to struggle against its own tendency to disintegration and find a path to heroic affirmation has rarely seemed so thrilling.
July 30, 2021
The Guardian

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
July 30, 2021
The Guardian

Stasevska’s pacing was masterly – a coiled spring of a performance to push the current uncertainties of the music world from our minds.
July 21, 2021
Classical Music

Dalia Stasevksa on conducting the First and Last Nights of the Proms

And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.

July 21, 2021
Classical Music

Dalia Stasevksa on conducting the First and Last Nights of the Proms

And to round off her relaxing summer, she will then return to Finland to conduct her first concert as the newly appointed chief conductor of the Lahti Symphony Orchestra.

May 5, 2021
Classical-Music

Conductor Dalia Stasevska: Music That Changed Me

Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra

May 5, 2021
Classical-Music

Conductor Dalia Stasevska: Music That Changed Me

Since July 2019, Dalia has been principal guest conductor of the BBC Symphony Orchestra and has been named as chief conductor of the Lahti Symphony Orchestra

August 6, 2019
Classical Source

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
August 6, 2019
Classical Source

By the end, laurels won, the packed audience hungry for more, she had the orchestra right behind her, flying triumphant. This was an auspicious Proms debut, expectant and adrenalin-charged.
July 19, 2019
The Telegraph UK

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
July 19, 2019
The Telegraph UK

She has the real conductor’s gift of establishing pin-drop silence and total concentration in a hall filled with 5,000 people, and there’s a guilelessness and total sincerity in her conducting which is very winning.
January 25, 2019
The Guardian

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.

January 25, 2019
The Guardian

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Dalia is the youngest person – and the first woman – to be given a titled conducting position at the London-based orchestra.

April 1, 2018
Arts Desk

She’s a real find, making her UK debut with an orchestra clearly having a ball.
April 1, 2018
Arts Desk

She’s a real find, making her UK debut with an orchestra clearly having a ball.
PRESS10
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New York Classical Review

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NY Times

Review: An Audition Season Begins at the Philharmonic

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Classical Music

Dalia Stasevksa on conducting the First and Last Nights of the Proms

Read moreRead moreRead more
The Guardian

Dalia Stasevska joins BBC Symphony Orchestra as principal guest conductor

Read moreRead moreRead more
Classical-Music

Conductor Dalia Stasevska: Music That Changed Me

Read moreRead moreRead more
The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

Read moreRead moreRead more
Los Angeles Times

Review: Dalia Stasevska’s Hollywood Bowl debut reveals what all the fuss is about

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The New York Times

Review: At the Philharmonic, Contemporary Is King for a Week

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Jackson Hole News & Guide

Finnish conductor established 'French connection'

Read moreRead moreRead more
PRESS11